“All-Out Chaos in the Most Entertaining Way!” – Battlesnake bring a whole bunch of Mayhem and Carnage to The Flapper – (27/09/24)

Battlesnake are a band that I first encountered in May of this year while doing photography at Bearded Theory. I had not heard a thing about them before the day they performed at the festival. However, there were whispers all over, of them being this bonkers band that were not to be missed, and so, won over by the hype train, my camera and I decided to go and take a look. I will tell you now, I may not have known about them before, but they are definitely not a band I will forget any time soon. Thursday would have bought with it a tough crowd to please, with rain, flooded areas, schedule changes, and mud a-plenty amongst some of the issues that Bearded faced, but for a little while all of that was forgotten.

They definitely planted themselves firmly on my radar that day.

It seems I wasn’t the only one won over by this Australian seven-piece. Back in September, Andrew Miller also had the chance to see Battlesnake. He also got to see them in a much drier environment, which is always a bonus! Supported by Passive Fix, Rooted and This Summit Fever on September 27, Battlesnake played a high-octane gig at The Flapper. Given this week’s news that Battlesnake have been announced as part of the line up for Download 2025, Andrew decided to look back at their Birmingham gig and relive his experience.

The Flapper – 27/09/24 – Battlesnake (With support from Passive Fix, Rooted & This Summit Fever)

– Andrew Miller (@rockofageshq)

Battlesnake at the Flapper, Birmingham – Photography: @belialthemself

Gig of the year? Gig of a life time? I’m going to come straight out and say something almost all in attendance that night would say – ‘We had no right to see a show of that calibre down at The Flapper’. Battlesnake played what felt like an arena show, and I have a new favourite live band.

Birmingham is credited with being the home of Heavy Metal and Battlesnake’s performance certainly felt like some sort of homecoming. A genuine heavy metal masterclass played out that night, all executed with a wry and appreciated sense of humour. I’ve written a note that reads: ‘HEY AUSTRALIA ARE YOU USING BATTLESNAKE? IF NOT – CAN WE HAVE THEM FOR A BIT? THANKS, BIRMINGHAM.’

From the Brutal ‘I am the Vomit’ and ‘Key of Solomon’, to the incredible riff that permeates through ‘Nightmare King’, to the irreverent ‘Pterodactyl Firehawk’ – which introduced a smattering of drum and bass to the mix and made me lose my mind entirely – the set went on… The riffs just kept coming. It was a brutal onslaught which was so entertaining to watch, it defied any expectations I have ever put on live music.

My only advice to you is to catch Battlesnake the next time they are near you. See it to believe it.

Battlesnake at the Flapper, Birmingham – Photography: @belialthemself

The mosh pits were crazy throughout the night, I ended up on my backside very early into proceedings (in fact, it happened during the supports) but that didn’t stop me dusting myself and getting back into the fray. I was, quite frankly, having the absolute time of my life enjoying the show, music, costumes and performance. All of it was peak and the crowd loved every second. Every time I glanced at someone in the crowd I got the ‘how awesome is this’ look beamed back at me.

I’m guessing those costumes are quite hot, because as the gig wore on, they ended up shedding them and basically running around in their pants playing the dankest heavy metal, with guitarists on the bass players shoulders, the keyboard player going nuts, and the singer belting out lyrics in peoples faces. All of this was playing out in the middle of the crowd, and because it’s The Flapper, there are no barriers, and very little separation. The whole thing descended to all-out chaos in the most entertaining way. Remarkably, they did not drop a note while doing all of this, adding to their already incredible Aura. What we were witnessing was undoubtably something else entirely – something from the beyond.

Battlesnake at the Flapper, Birmingham – Photography: @belialthemself

The only thing that shocks me is that Battlesnake aren’t bigger than they are. Having played SXSW and a growing number of festivals, including Bearded Theory in the UK, Battlesnake were playing shows at relatively small venues on their recent UK tour. Although it created an incredible experience and atmosphere to see them like this, it saddens me to see such talent not getting the recognition, and moreover, crowd, it deserves. I hope this is waiting for them in the future, truly I do. I managed to score a chat with them in the beer garden, and they are a great bunch of guys. I lose count of how many members are in the band – but the internet tells me they are a 7 piece in all… but with how they move around on stage it’s very easy to lose track!

In support, were three incredible local bands with Passive Fix leading the support slots. When you see a Saxophone on stage you never quite know what to expect, and Passive Fix genuinely surprised me with their mix of aggression and rhythm. They give their everything in performances. What they were doing got people engaged and moving, and continued the mosh pits started by Rooted, who were second to hit the stage.

Battlesnake at the Flapper, Birmingham – Photography: @belialthemself

Rooted brought a great punky grungy energy, with belters such as New God and Spiralling Out sending those in the crowd crashing into each other and really getting the moshing started, while Your Definition saw the band engage in some impressive crowd engagement to get us all kneeling like we were at a Slipknot gig – a very impressive command of an audience for such a relatively new band. Very entertaining to watch and definitely a band to watch out for.

Opening the night were powerful two piece This Summit Fever, who were very impressive, to say the least. Creating the kind of sound that two people alone should not be able to muster. I often wonder when I hear a two piece’s material whether it can be delivered on stage, and This Summit Fever most certainly can, with tunes like ‘Sometimes and Tidal Wave’ and ‘Messiah’ hitting hard. Looking forward to seeing this pairing again soon.

Battlesnake at the Flapper, Birmingham – Photography: @belialthemself

A truly incredible selection of bands were on display, a sincerely world class night of music that felt more like it should have been delivered across the road at the NIA rather than downstairs at The Flapper. Not to take anything away from The Flapper – there’s a reason that venue is so beloved and gigs like this certainly cement its status as one of the best in the city.

Remember folks – Keep Music Live, Keep Venues Open. Get out there and see the bands – you never know what you might see.

You can hear Battlesnake, Passive Fix, Rooted, This Summit Fever and much more on my radio show Rock of Ages, Wednesdays from 7pm (UK tIme) on brumradio.com

I’ve been your reporter in the field with a late submission

DJ Millabong

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“Incredible Stage Presence, Energy and Attitude” – Marisa and the Moths tear up the 02 Institute 3 – (8/11/24)

Where were you last Friday? Or more so, where should you have been? The only real correct answer to this question is the O2 Institute 3. With Marisa and the Moths headlining and Rooted supporting, this gig shaped up to be a pretty amazing night. If you were there, brilliant stuff, you caught a couple of amazing bands, you had a great start to the weekend! If not, fear not… Andrew Miller DID check it out, and has written his review of the night.

Andrew also had a chat with the band members beforehand, which you will be able to check out on Brum Radio in the near future (See below for more details!).

02 Institute 3 – 08/11/2024 – Marisa and the Moths (with support from Rooted)

Andrew Miller (@rockofageshq)

Photography: @tjl_photography7620

Spending the night watching Marisa and the Moths was an absolute joy – a band having a lot of fun, with a lot of smiles and a very positive attitude. Their music sounded great and really got people moving, with fans of all ages in attendance. To describe Marisa and the Moths would be a nightmare if the word ‘eclectic’ wasn’t in existence. They hit all kinds of tones, genres, styles and notes with an ‘all-in’ approach to music that is great to see and hear.

There is so much music in Marisa and the Moth’s music. What do I mean by that? Listen to their latest album ‘What Doesn’t Kill You’. Weighing in at a colossal 55 minutes, spread across 16 tracks, you will hear all kinds of tones and genres on offer, from Rock Riffs to Southern Licks, Punk tones to Metal and much more, it even gets orchestral in places. With an album so long I was worried they would have to drop much of it for a live set, but fear not as they entertained the crowd for 90 minutes. They kept things lively throughout with great stage presence – evoking singalongs with their boundless charisma.

I had the joy of chatting to them beforehand and they are genuinely wonderful people. Marisa, Liam, Alex and Alez gel so well together on and off stage, and have that musical bond that not only captivates crowds but also bagged them a number one album for their efforts with ‘What Doesn’t Kill You’ hitting the top spot in the UK Rock and Metal Charts earlier this year. They also had a wonderful crew supporting them, which helped the gig play out very smoothly!

Marisa also spreads an important message about Mental Health, recalling the effect it has had on her own life, and encouraging those struggling to reach out and get the support they need. Their music is powerful lyrically and musically, and I hope a bright future awaits this band.

Providing support was Birmingham’s Grunge / Punk / Rock outfit Rooted, turning it all the way up and bringing the noise. They showcased so much of what makes them a great band, and showed great composure to get through what was sadly, and beyond their control, a bit of a technical nightmare. I see this quite often, technical issues… sadly, sound engineering is not an easy game to play. Bands handle these difficulties in different ways. Rooted showed great professionalism to get through a difficult night for them, and played a great set regardless, showing their great stage presence and engaging style of performance. Huge amounts of energy on display. I’m greatly looking forward to new material by them, which they tell me is coming soon…ish…tbc…

All in all a fantastic night up at the Institute 3!

Catch both bands on @marisaandthemoths and @musicbyrooted for future updates. Photo credits to amazing @tjl_photography7620

You can catch my interview with them in full on Rock of Ages from 7pm on Wednesday 20th November on brumradio.com with catchup on mixcloud. You can check out many more of my shows right here http://www.brumradio.com/rock-of-ages

I’ve been your reporter in the field, sporting a very bruised rib from moshing too hard,

DJ Millabong

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Interview: Basement Orphans on New Song, Music Journey, and Future Plans

So guess what? Music is getting exciting again! There’s a whole host of new stuff out there, and whether it be from fresh artists or established musicians, I’m here for it! Over the past couple of years, I have talked to various Midlands creatives about the challenges that they have been presented with from issues such as lockdown, the cost-of-living crisis and the lack of venues. With music already being a notoriously difficult profession to make tracks in, it was a worrying situation for many.

Even at that time though, it was clear that the people I spoke to had not let go of their passion. They were continuing to create, perform, practice, and put their time into doing what they loved, even though they were all going through the same tidal wave that we were all struggling in. After attending gigs, speaking with business owners, and hearing the burst of new music that has come though over the past six months, I thought it a good time to start these articles again, so that I can introduce you to some of the talented people that I have come across. To kick things off, we have Basement Orphans.

Kieran, Cori, and Jack

A Walsall-based rock/grunge band, Basement Orphans already have an EP under their belt, have been played on the BBC, and have just released a new song called ‘Magick 8 Ball’, available on all platforms. With Cori on vocals, Jack on guitar, and Kieran on drums, they come together to make a grungy/punky sound with metal elements – and a dash of a 80s undertone – and it’ll be interesting to see what they come up with next.

I had a chat with Cori, Kieran and Jack where we discussed their new song, their sound, where they’ve gigged and what they’re up to next, and you can find that in the video above. If you want to keep up with what they’re up to, you can find their Facebook page here, their Instagram page here, and their YouTube channel here!

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Bowling for Soup: 20th Anniversary 2025 Tour includes Wolverhampton date!

Bowling For Soup have just announced their February 2025 UK tour, celebrating 20 years of one of their most successful albums, A Hangover You Don’t Deserve. What’s more, one of their dates is right here in the Midlands!

Aptly named ‘A Hangover You Don’t Deserve 20th Anniversary Tour’, Bowling For Soup will be playing the album in full, plus a host of other hits from their 30-year career. Straight off the back of their first Download Festival performances since 2014, BFS are delighted to be once again planning a full tour in their home away from home here in the UK.

As someone who saw Bowling for Soup way back in 2016, and was thoroughly entertained, I can definitely say this one is not to be missed if you are a fan of pop punk, comedy, great audience interaction and generally just a really good time!

If this alone isn’t enough exciting enough news, Bowling For Soup are bringing Wheatus and rapidly rising Florida pop punk outfit Magnolia Park with them to make this the party of the year!

The ten-date February 2025 tour will visit the following towns and cities across England, Scotland and Wales:

Bowling For Soup – A Hangover You Don’t Deserve UK Tour February 2025 w/ Wheatus & Magnolia Park

05/02 – Blackpool – Empress Ballroom
06/02 – Edinburgh – 02 Academy
07/02 – Stockton On Tees – Stockton Globe
08/02 – Manchester – Aviva Studios
09/02 – Wolverhampton – The Civic At The Halls
11/02 – Plymouth – Plymouth Pavillions
12/02 – Swansea – Swansea Arena
13/02 – Nottingham – Motorpoint Arena
14/02 – Brighton – Brighton Centre
15/02 – Bournemouth – Bournemouth Intl Centre

Tickets for the tour will go on general sale Friday 21st of June at 10am UK time. Selected venue pre-sales will begin from Wednesday 19th of June, with the AEG pre-sale and other venue pre-sales taking place on the 20th of June. Please check your preferred ticket provider and/or local venue website for more details. 

Bowling For Soup VIP packages will be available on this tour – for full information on the VIP packages, as well as ticketing links and further information for the tour, please visit www.bowlingforsoup.com.

The band have recently revisited several songs, re-recording them as part of their 2023 Greatest Hits album Songs People Actually Liked Volume 2.

Alongside this, they have been releasing new videos for some of their classic hits, most recently for High School Never Ends. For the new version of their 2006 classic, BFS have dropped an animated video choc full of pop culture references. It’s a case of seeing how many movies you can spot while you sing along to one of the bands’ most loved songs. Check out the video for High School Never Ends (BFS Version) below:

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Bearded Theory 2024: Music, Mud and Mayhem!

After taking quite a long break from all things camping, I decided this year that the time was right to pitch up, drink up and listen up – in fact my soul desperately needed it. I’ve always been a fan of music festivals… Reading, Download, Bloodstock, I’ve been to loads, but for some reason, when I discovered Catton Hall’s Bearded Theory in 2017, I knew that was the one I would return to the following year. Both 2017 and 2018 were fantastic, with the latter being the last time I attended any sort of overnight music event until now. So, of course, years later at the start of 2024, it was at the forefront of my mind when deciding where to go. Here, I have written about my experience of Bearded Theory 2024.

Now, before we get into the bands and all of the fun stuff, I want to point out an important thing. I have been incredibly blessed with past events when it came to the weather. Somehow, I have always had the sunshine in my bag ready to share with all of the other attendees whenever I decided to go to any festivals, and the only bit of rain I’ve ever encountered was a slightly glum first day and a bit of an overnight shower at Bearded in 2018. I attribute this great bit of luck to the fact that I have lumbered wellies with me to every single one. Unused, cumbersome things that always sat in the corner of the tent, worn only on the way in so that my rucksack would be lighter. With the long range forecast telling me to expect a heatwave, and with assurance that my heavy-duty boots would withstand any unexpected showers that fell our way, I decided that wellies were not necessary.

This was a mistake.

Mud.

We had gone for the Wednesday early entry option, because well, I wanted all of the festival I could get, mainly. Also, we figured travel would be easier, and we could get all pitched, sorted and ready to go for the rest of the week. I think the concern for the weather began for us around the Sunday before, when the forecast websites started to replace the happy little sun pictures with angry old rainclouds. Wednesday would be the worst day for it, they said. Oh dear. Still, though, our spirits couldn’t be dampened (much) and we made plans to travel early to beat the rain. Well, I’m afraid the rain beat us.

Wednesday – The Washout

We arrived just before 9am, after a concerning drive watching the rain absolutely hammering the windows of the minibus, and thankfully, the staff at the gates let us take shelter until it looked like there was a small window of opportunity for us to move (Thank you for the muffin Simon!). We then faced a walk through waterlogged fields with all of our stuff, until we got to our camping spot, exhausted, muddy and with seriously wet feet – yeah, the heavy-duty boots did not cut it. Morale was a bit shaken but fortunately I had a secret weapon in the form of a metal bottle full of some pre-made cocktail that I had bought from Aldi. This very much helped me to help my partner put the tent up (or is that watch? I can’t recall), and once that was done we were a go! Bearded Theory baby!

…Except, well, everywhere was flooded.

I have to say, the staff did the best with the hand they were dealt. There was a lot of rainfall in a relatively short amount of time, and of course, safety is paramount. The arena’s opening was very delayed, and the Woodland stage was a no-go, so when we were allowed in, we found that the acts from there had been relocated to the Convoy Caberet stage. We discovered that the Oxfam stall in our camping area sold wellies! Yes! So that was our first port of call. I then got out my plastic bottle of chardonnay (another fine buy from Aldi) and tried to drink the damp out of my bones. We wandered around a bit non-comittally, trying to rouse up the same excitement we had felt 24 hours beforehand. Eventually, though, we admitted defeat; we were exhausted, cold, and soggy. We decided to call it a night and try again the next day.

The mammoth task of trying to dry all of the things the next day

Thursday – Still Soggy, but the Spirit is Back!

A fresh new day, with fresh dry socks, and a fresh can of beer complete with a breakfast bap from the bus cafe made for a much more positive start. The weather was still rubbish, but for the most part the heavens stayed closed. Woodland was still blocked off, but the wider area of the arena was now open. This gave us new areas to explore, and the main stage – The Pallet – was in play. We waded through the endless rivers of mud with our welly-protected feet, said hello to Big Ed, and went in search of music to listen to.

I normally have a distinct plan of who I want to see when I attend a festival, and schedule things accordingly… This year I wanted to do it a little differently. While the line up had some heavy hitters and seasoned bands such as Jane’s Addiction, Therapy?, and New Model Army on its roster, I noted that it had a lot of bands and musicians on there that I had simply never heard of. To be fair, this might be on me… I’ve been studying for the past two years and listening to a lot of my ‘comfort’ bands, and any new music I’ve been to see has largely been local musicians in the venues around Birmingham. So the prospect of spending a few days discovering some new names was very appealing to me, and with the exception of listening to some of the artists on the bill in the weeks leading to Bearded Theory, I was pretty much in the dark, and excited about what I might find.

There was a lot of shuffling around stages on the Thursday, and an air of disorganisation that the weather chaos had left behind. Sometimes we weren’t quite sure who was on and where, so my aformentioned method of wandering and discovering worked a treat here. We saw an impressive set from Andrea Kenny, and a fresh energetic display from Birmingham-based band Total Luck. Australian seven-piece Battlesnake played an enjoyable, high energy set and managed to get the crowd’s spirits up, while Irish rockers The Sprints stepped up to their relocation from the Woodland to the Pallet quite well.

Friday – We like the Meadow

Friday was the first day that the sun tried to greet us. We still needed wellies – the mud had hardened into a clay-like nightmare that gave us a proper workout and I was convinced I would have Chun Li-style legs once the week was though. It still rained a bit here and there, but even so, we were well and truly in the festival zone. Tents sprouted around us as we gained new neighbors, and a couple of our friends joined us too, happy, dry and eager to get stuck in. The Woodland was back in play, and we had the Meadow stage to check out as well as a whole host of other sights to see.

Over at the Meadow, we heard a cracking set by ferocious quartet Saint Agnes, a band that I definitely want to hear more from, and we checked out Lambrini Girls, a band with more bite than their name would have you believe. Later on, at the Pallet, London punk-rap duo Bob Vylan completely dominated the stage with an hour of raw, loud, in your face music that the crowd seemed to love. They were definitely one of the highlights of the whole week, and one of the artists that went straight onto my listening list when I got home.

After a bit of a disappointing set by Dexys, we headed back in the direction of the Meadow stage, and caught Therapy?, who I had seen previously at Bearded Theory in 2018. Straight after that was New Model Army. The Meadow is a stage that hadn’t been there when I last attended, having been introduced in 2023. It’s definitely a fine addition, with the sound and lighting being on point whenever I was in there. In fact, it was probably my favorite stage. More than once, I would see artists on the main stage and think “Yeah, their set was good, but I would have liked to have seen that in the Meadow”

All in all, Friday was a good day. We popped our heads in the other tents, such as Maui Maui, and Coda, and the vibes were great each time. On the way back to our camp, we nipped into the Magical Teapot, a really cool place that I remembered fondly from previous festivals. It’s a tent with a burning fire in the centre, a piano in the corner, a pay-what-you-feel ethos for a hot drink, and a beautiful vibe. You can rock up with your own instrument and join in, you can sing along, or you can just sit there and enjoy it all. It is a wonderful place to strike up conversations and make new friends, and the fireplace makes it ideal to warm yourself up a bit before bunking down for the night.

Saturday – Sunshine, good times!

So Saturday arrived, and with it came the realisation that it probably wasn’t the best idea to jump straight from a six-year-break from camping into a five-day outdoor bonanza. I ached, I still hadn’t quite warmed up, and the beer coat wasn’t quite working as efficiently as it had before. Luckily, some Saturday attendee had very kindly bought the sunshine in their bag and shared it with the whole festival, and thank goodness, because it was just what we needed.

With the ground finally sturdy enough to walk on without fearing a topple into the mud, and my boots all dried out, it was time to see what Saturday was all about. The Woodlands was now less of a mud-fest, too, although admittedly I did not spend too much time there. Sadly, what was previously my favourite stage, was still a bit messy and claggy for my liking. There was also an unfortunate placement of the toilets to the right of the stage which left the whole area kind of pungent. The bar staff in the tent were lovely and jolly though, exchanging jokes, banter and a nice back and forth with the customers.

The Meadow bought us such highlights as the eclectic Mancunian five-piece Sonic Boom Six, and a bit of well, brilliant daftness from 3 Daft Monkeys. The Pallet gave us an amazing set from Punk Rock Factory, featuring a crowdsurfing dinghy race and well known songs such as the Power Rangers theme, with a twist. There was also a fantastic set from Wargasm UK, an electro/nu-metal/slightly industrial? duo that rocked the Pallet brilliantly. Nottingham duo Sleaford Mods provided a bit of a marmite reaction from the audience, with some people absolutely loving the set and some people wondering what the hell they were hearing. Unfortunately, I fell into the latter crowd.

The big act of Saturday night was, of course, Jane’s Addiction, and they were alright, to be fair. It seemed, though, that there was a bit of a disconnect with the crowd from the band, and some of their audience interactions weren’t quite landing. The atmosphere didn’t sit quite right with me and sort of prevented me from enjoying the set as much as I maybe could have.

All in all though, Saturday was a win. We danced with Big Ed. We made an unsuccessful attempt to find the kareoke. We watched the first 20 minutes of Back to the Future at the Meadow. I rode the Ghost Train. It was rubbish. I do not recommend the Ghost Train.

Sunday – Running out of the good beer

I’m not going to lie. I didn’t see much on Sunday. I woke up feeling a little off and couldn’t shake it for the rest of the day, meaning that pit stops back to camp were annoyingly frequent. I watched a bit of Penetration at the Pallet, as well as punk New Yorkers BODEGA. Although they were decent, sadly neither of them blew me away, although I have to pay mind to the fact that I wasn’t feeling great, and so have to factor that in, and there may have been plenty of people who enjoyed them.

Over at Woodland, we checked out unique German funk-metal band Slope, who had a fantastically energetic show for the audience. Next up were local Midland duo Big Special, who were on top form, with natural, funny banter between them and a strong set that the crowd loved.

Big Special

After this, I had to admit defeat and retire to my tent for good. It was more than a little disheartening, for sure. I would spend most of the next day kicking myself for not being able to hold out for Amyl and the Sniffers, who I had been quite looking forward to.

Conclusion

Bearded Theory was a blast. There is absolutely no doubt about that. Even with all the rain, mud, and chaos, it was a wonderful festival. I think that being soaked for most of the day on Wednesday was the only reason why I couldn’t quite enjoy the last day right until the end. Even with that said, as soon as I returned home on Monday, I wished I could go back.

I noticed an abundance of female fronted bands on the line up, which was very cool to see. Music feels fresh, raw, and it seems like people have a hell of a lot to say. Emotions are high, and it’s coming through, not just with a trickle, but with a scream and a loud bang. It is definitely a time to start paying attention.

The festival itself seems to have gone through some changes since 2018, which I guess is only natural. I love the addition of the Meadow stage, and I saw some excellent performances in there. I love that there is a dedicated children’s area, and how well maintained it is. Also, the food and bar stalls were all reasonably priced (for a festival). The traders sold some beautiful items, and were all friendly and chatty – more than once I found myself having a long chinwag and finding out more about their businesses.

However, there was something slightly amiss about the overall feel of the festival, as if just a little of the magic has gone, compared to how it was before. Maybe it’s unavoidable, due to its growing size and popularity, that just some of the quirkiness that made Bearded Theory so special has faded.

My apprehension may well be due to the challenges that the weather provided though. Cars and campervans got stuck in the mud, areas were blocked off, stages were closed and acts relocated… This must have been very stressful for the people who were working, and although there seemed to have been a bit of miscommunication from time to time, I have to say that most of the teams that I spoke to for advice/directions were very helpful and friendly.

So all in all, I am glad I chose Bearded Theory as my grand return to the festival life. Knowing what I do now, I probably would have given the Wednesday a miss (or glamped) but from Thursday onwards, I had a brilliant time. I can’t wait to do it again next year.

You can check out the full gallery of photos I took here

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From Judas Priest to Black Sabbath – Uncovering the history of Birmingham’s Rock Roots

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The Home of Metal. This is the moniker that the people of the Midlands are proud to be a part of. Music and creativity has run rife through our veins for generations, and you can see it everywhere in our rich music scene, wide range of performers and the headstrong determination from our venues to provide entertainment and a platform for musicians to thrive. This region has produced some huge names throughout modern history. 

I decided to take a journey through all too familiar territory… familiar but never boring, mind, speaking to both fresh and seasoned musicians, venue owners, and music fans. This website was born from a desire to showcase local talent, and although the pandemic did quieten things down for a while, there is still no shortage of this in Birmingham and the surrounding areas.

The Midlands has often celebrated it’s metal roots, holding dear the timeless drinking holes that hosted them. The Crown saw the beginnings of Ozzy Osbourne and who would be later known as Black Sabbath back in 1968, and has recently been saved from demolition by officially becoming a listed building. This news has come as a relief to a lot of people who fondly remember going there to watch bands such as Judas Priest, Robert Plant, UB40 and many, many more.

There is a dedicated project called Home of Metal that has hosted exhibitions and events showcasing the city’s history, including ‘Black Sabbath: 50 Years’ at Birmingham Museum and Art Gallery in 2019. Their website has an archive of treasured memories, such as old ticket stubs from decades gone by, promotional material, magazine covers from the 80s, and all sorts of fascinating things. It is definitely worth keeping an eye out on there for any new events and exhibitions that pop up.

Of course, you cannot forget about the most recent talk of the town! A visit to the Grand Central Station in Birmingham will see you face to face with a giant bull, originally unveiled as the Raging Bull at the 2022 Commonwealth Games. Eventually relocated in 2023, and subject to a naming competition, the people of the Midlands opted for the only name that made sense… Ozzy!

You can find Ozzy the Bull at Birmingham’s Grand Central Station

Venues still today are keeping the ball rolling, hosting the latest in fresh talent. Places such as Subside, The Victoria, The Actress & Bishop, Dead Wax, and The Flapper are just a drop in the ocean of places you can go to enjoy live music in the city.

Seeing a poster on Subside’s Facebook page, inviting me to go and see five bands on a Sunday afternoon, I decided to go and see what today’s up and coming bands had to offer. What greeted me was a friendly atmosphere, and a hell of a lot of talent. Gnawing Hunger, Face of a Stranger, Stoneload, Overthrone and headlining act wars gave the audience a night that probably meant a lot of sore heads the next day at work.

Birmingham band Overthrone have been together since 2017, and already have two albums under their belt. Describing their music as their ‘own blend of metalcore, deathcore and hardcore’, guitarist Joe Morton said they have no intention of stopping any time soon. ‘Last year saw a number of headline tours, and a spot at Bloodstock Festival. We have new music coming this year, too’.

Away from Birmingham city centre, my journey around the Midlands took me to to a rather unique bar, all the way over in Wolverhampton. The Giffard Arms is a pub that is very well known for a variety of reasons, from the stunning decor, thriving music scene, and of course, the famous chair. It is sort of an unwritten rule that you must have at least one photo taken of you, drink in hand, sitting on the famous Giffard seat that would give Game of Thrones a run for its money.

Seats aside, though, the Giffard is definitely the venue in many musician’s mouths as a sought-out place to play, and there is never a shortage of bands waiting to perform there. Usually hosting a night packed full to the brim of music, you can usually get tickets to see about four or five bands in a night, for a reasonable price. Wendy Shone has been the owner of the Giffard Arms since 2003. She has a musical background herself, having sang in bands such as MisSabbath and Rock Revolver.

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Wendy Shone, Owner of the Giffard Arms in Wolverhampton

Wendy stressed the importance of live music for both established and up-and-coming musicians, and is proud to provide ‘a platform within Wolverhampton, to get those bands seen.’

Speaking about the variety of bands and musicians that pass through the Giffard doors, Wendy talked about the wide variety of genres that have been on their stage, and credited her Music Promoter for always keeping an eye on new and different acts. “My promoter, Brett Hall, he’s very good at booking the bands, he looks out for all sorts of genres and styles.”

Wendy also mentioned further potential opportunities for musicians, as they grow their following. “Brett also books bands for KK’S Steel Mill, which cater for the bigger bands – We cater for the smaller bands, which helps get their name out there, and that raises their profile and gets their music heard.”

One of the huge events of the year, and one that is very well known around Wolverhampton and beyond, is Giff-Fest. Fifteen bands over two floors, food, drink and a good time are what is on the menu for this annual extravaganza! Slots for the three-day festival are coveted, with the books full way in advance.

Talking about its beginnings with Wendy is a bittersweet experience. She spoke about the event starting as a memorial to her friend, Rhiannon Turner, who passed away from breast cancer at only 41. For this reason, Giff Fest also raises money every year for charity. ” A lot of people knew her and we’ve slowly built it up and turned it into Giff Fest. Every year I do it for her, and we give the money we raise to Compton Hospice.”

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It is no secret that the pandemic and lockdown had a profound effect on many in the music and hospitality sector, a lot of which can still be felt today. I spoke to a few musicians at the end of 2022 about this, and was met with a tentative hope at the time. People had started to go out again, and the scene had begun to re-emerge, but it was still early days, and the dent was still deep.

Now, in 2024, it seems like people are catching up on what they missed out on. More people are willing to go out to catch live music again, although we also have to keep an eye on our purse strings due to the cost of living.

Smaller venues, with affordable tickets, are giving new acts the chance to thrive and giving music lovers a great night out. For Wendy, the surge in creativity has been very noticable. “I think that for two years, creativity for everyone was stifled, and lately it’s really come along leaps and bounds.

“From my point of view, the pub has never been so busy as it is now with live bands”

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Midlands Music – The studio doing its part to help creative children discover their potential

Jamie Russon, owner of Build My Song recording studio, has had a busy Summer. His Walsall-based studio has seen many artists through its doors since he started the business in 2017. Along with helping artists with recording and mixing their music, though, he has also teamed up with a local charity to bring summer workshops to budding musicians.

Build my Song and Music is my Sanctuary CIC came together in August to give youngsters between the ages of 13-16 the opportunity to gain industry knowledge, hosting creative workshops within the studios that let the participants take a closer look at sound engineering and producing music.

Jamie Russon has been running Build my Song, previously called Music’s Music Hole, since 2017

The free-to-attend sessions, held in two three-day workshops between August 7 and 17, were funded through the Department for Education (DoF) Holiday, Activity and Food (HAF) programme. This runs over the Easter, Christmas and Summer holidays, with the aim of providing ‘an exciting and enriching programme of activities’ for children. If your child is eligible for benefit-related free school meals, they can participate.

Part of the aims of the HAF programme is to encourage children from all social backgrounds to take part in activities that support their development, as well as reduce social isolation. With the summer workshop proving to be a success, it is definitely a step in the right direction for the young creative minds around Walsall.

As of the end of 2022, West Midlands was one of the worst areas for the percentage of schoolchildren eligible for free school meals at 26.5 per cent, with only the North East having more at 29.1 per cent. Mr Russon said he felt it was important that children not miss out on opportunities because of this.

Jamie said: “I was put in touch with singer Nikki Belle who was looking to put together some music workshops for young people and she wanted me to get involved. She wants to make it a permanent, yearly thing, as well, so it’ll be nice to have this place as a music hub.”

If you are interested, you can keep an eye on any future workshops on Build my Song’s Facebook page.

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Black Country Bands – Midlands creatives give their advice on getting started in the music industry

It can be a tough word to navigate these days, for musicians who are just getting started. With venues being ever-thinner on the ground, streaming platforms paying peanuts, and the cost-of-living crisis keeping more and more people indoors, it seems like the right time to hear some words of encouragement from a couple of people who have been a part of the music business for quite a while.

Suzi Ashton is a musician who plays regular gigs with her tribute band Reasons for Admission. As well as this, she also goes it solo, taking her guitar and her voice to many venues across the midlands. She spoke to MOSH about how she got into the industry, and about overcoming some of the obstacles she faced along the way.

Jamie Russon is also a musician, but many in the Black Country will know him more as the owner of Build my Song recording studio. He has helped many midlands bands and artists mix their songs over the past few years, and offered some tips for budding artists.

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Black Country Bands – How has Midlands music dealt with the after-effects of lockdown?

The West Midlands has been a hub of creativity for years. Slade, The Wonder Stuff, and the mighty Ozzy Osbourne are just a few of the musicians that had their beginnings in Birmingham and the Black Country. 

Birmingham museum and art gallery even has a project called Home of Metal, proudly displaying exhibitions and celebrating music born in and around the city. Home of Metal has grown tremendously from its roots as a humble 2007 display at Walsall art gallery, and is currently working on a historic 80s punk project called ‘At the Mermaid’.   

But what about the current local scene? With music venues feeling the afterburn of lockdown, and the cost of living tightening potential gig-goers pursestrings, it is not easy for musicians to get by, within what was already a challenging field to conquer. 

I spoke to local musicians Cower, Hounds!, Meth Club 7, and Suzi Ashton to see how much their livelihoods had changed in the time since the pandemic.

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It’s been a while…

Time to get this bad boy out of the freezer! I have thoroughly missed writing about music, and I want to hear all about what music has been up to while I have been away. It has been a long time, and so it means Midland Mosh should have a lot to showcase in the up and coming months. I’m talking new projects releases, gigs, open mics, weird and wonderful, it’s aaaall on the table and I want to see it, hear it, and feel it!

I had to put the site on hold for a while. While I loved doing it, I found myself unable to dedicate the time and detail that I felt was required to give the coverage that talented artists deserve, due to working full time in quite a demanding role. It’s a one woman show back here, and sometimes, you have to put one of the spinning plates down. Knowing, this, I decided that the best thing to do was to take a break from the site until I could be sure that any coverage that I did was up to my standards.

Well now is the time! I’m eager to jump back in, and I’m excited to hear a bunch of new music from both established and brand new artists! I’m going to be spending the next few weeks sorting and sprucing the site, and generally giving it a tidy. In the meantime, I’d love to hear from you.

So this is just a hello from me, a foot back in, and a how are you? Let’s see your stuff!

If you have any music, news, upcoming gigs and/or anything that you want to share and feature on Mosh, please send an email with your details, social media and YouTube links to midlandmosh@gmail.com

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